Weaving The Way On West 10th

BY BRIA SCHIRRIPA

Photo By Ricky Freudenstein

Most days, downstairs at 225 W. 10th Street, Kiana Malekzadeh, owner of West Village Knit and Needle can be found surrounded by four walls of hand painted canvases and yarn. With an upbringing steeped in Middle Eastern tradition, Kiana learned a few of the essentials - knitting, sewing and cooking - from her mother and grandmother. 

A hands-on way of life beginning at a young age led her to quickly discover how drawn she was to creating and why she now refers to her childhood self as a “crafty kid”.

Photo By Ricky Freudenstein

But this New York small business story really begins in 1998 when Ms.Malekzadeh was an unemployed postgrad living in Manhattan looking for ways to fill the day. Regular strolls to Yarn & Co. on the Upper West Side did just that. When Kiana slid down the West Side to Greenwich Village, she began frequenting a yarn shop on Bedford Street called The Point Cafe. In true West Village fashion, the owner was warm and welcoming and Kiana, who at that time was working for the family business as a commodities broker, found that knitting was a way to keep sane and asked for a part time job. Working a few days a week led to teaching group classes and unwilling to stop there, Kiana enrolled in a graduate program at Fashion Institute of Technology. For the next two years she worked on a Master’s degree that would allow her to morph two passions into one: Art Business.

In 2020, Kiana, who by this point was a decade-long West Village resident and the ultimate textiles enthusiast, joined a virtual board meeting during COVID lockdown and got wind of a space opening up directly downstairs from her apartment. “I immediately said ‘I’ll take that!’” recognizing opportunity and a silver lining of the pandemic.

Photo By Ricky Freudenstein

Photo By Ricky Freudenstein

Kiana worked on composing a forty-two-page business plan filled with financials and market research on the fabric arts industry. She wanted to differentiate herself by taking a more sustainable and thoughtful approach to the materials she would offer in her shop. “I decided not to sell any yarn that carries polyamide acrylic or nylon, only premium yarns” Kiana says, noting that 99% of everything in the shop would be biodegradable.

“I decided not to sell any yarn that carries polyamide acrylic or nylon, only premium yarns” Kiana says, noting that 99% of everything in the shop would be biodegradable..
— Kiana Malekzadeh

Familiarizing herself with studies from the American Sheep Association, Kiana decided that she would not work with any vendors that source their raw wool from a mulesing farm (a practice which shaves too close to the skin of sheep). Much of her yarn is GOTS certified (Global Organic Textile Standard) which means that it has achieved the highest level of textile sustainability and is proven to be fair trade.

Even though it is ever-changing, Kiana has committed to a sustainable shop and her commitment has proven effective. Due to its location, West Village Knit and Needle is often the first stop for NYU, Parsons and FIT students seeking art supplies, many of whom are eager to take a more sustainable approach.

Photo By Ricky Freudenstein

“Every single day someone says I want to learn to needlepoint. Seeing that excitement of getting started on their faces is the best!”
— Kiana Malekzadeh

In addition to the students, the shop attracts mostly downtown neighborhood folks (think Greenwich Village, Tribeca, Chelsea), tourists and a handful of uptown devotees. Kiana credits the loyalty of their customers to her small, but mighty team of five who are always available for free help on any project. To date West Village Knit and Needle has 3,500 paying customers and 56% of them are return customers. This shop owner’s favorite part of the business? The people she gets to meet day in and day out“Every single day someone says I want to learn to needlepoint. Seeing that excitement of getting started on their faces is the best!”

Photo By Ricky Freudenstein

Kiana wants to give back to small artists, many sourced through Instagram and Etsy, by displaying their work on the shop’s walls- just as she did in her gallery years before. Today, she has four artists exclusive to the store, among their work you can find a variety of hand painted canvases from Seinfeld quotes to the “David” to Formula 1 drivers.

From day one, Kiana’s wish for the shop was to be fun, warm and energetic. And on day 431, the 80’s music that is so often blaring through the speakers, free classes, champagne Saturdays and amicable staff have helped to exceed the expectation. In her original mission statement, West Village Knit and Needle wanted to be known as “the friendliest needlepoint store in the city” and so far seems to be succeeding. 

The restorative properties of needlepointing and knitting are apparent. “They are good for mind body and soul” Kiana says, the reason she began in the first place “It forces you to be present in what you’re doing. For needlepoint, the repetitive motion is very soothing and meditative”.

Photo By Ricky Freudenstein

Every month stitch and sip hosted by Stitch Club of NYC. huge following. People who participate are fun. Once a month they do a free tarot card reading night with Paul Flanagan, partnerships with Shop the Village, most classes are free besides the $25 for materials and NYC in October yarn crawl.

How Sweet It Is 

BY BRIA SCHIRRIPA

Harris Bakes, Photography by Ricky Freudenstein

Harris Bakes, Photography by Ricky Freudenstein

Harris Bakes - a woman owned bakery on Bedford and Commerce opened in the winter of 2020. More than a year and a half later, the bakery found its footing and hasn’t missed a beat.

Tucked in a row of brownstones on quaint and quiet Bedford Street, the gleaming marble counters and bright lights draw the attention of a passerby to the bakery and the scents of chocolate croissants and fresh brewed coffee are enough to get them in the door. Harris Maizels, owner of Harris Bakes, has worked very hard to get to this point.

Ms. Maizels grew up baking and cooking - think: elaborate gingerbread houses around the holidays and above average birthday cakes for family and friends. But when it came to choosing a career path, she pursued elementary education. As a kindergarten teacher she was sure to incorporate baking into many of her lesson plans. “I never truly considered it as a career” Harris says. It was on a spring break trip to visit her sister in France that she spent time with a Parisian bakery owner that realized she might want to consider pastry making as a full time job. “I didn’t know it was possible to switch career paths, I assumed that everyone in the industry started right out of high school or sooner”. Harris came back inspired and ready to fully jump in.

That fall the teacher became the student.

After her inspiring trip to France, Harris enrolled in the 6 month pastry program at the French Culinary Institute. This led her to spend some time at Gramercy Tavern for an externship while continuing to make custom cakes and pastries on her days off for friends and family. 

Harris Bakes, Photography by Ricky Freudenstein

Harris Bakes, Photography by Ricky Freudenstein

In the summer of 2019, Harris, then a West Village resident, noticed an empty storefront with a kitchen. She saw an opportunity even when others warned her about taking on a lease and opening her own commercial kitchen. She decided to go for it and nearly a year after signing, Harris got the green light from the health department. She held a soft opening with friends the last week of February 2020. 

Harris Bakes, Photography by Ricky Freudenstein

Harris Bakes, Photography by Ricky Freudenstein

After being shut down due to COVID, Harris felt conflicted over how to move forward. The original concept of Harris Bakes was to be custom cakes, but since people weren’t gathering, Harris had to pivot. By April, Harris was eager to get back into the kitchen in any way, so she began to make batches of bagels, cinnamon rolls, croissants, cookies available for preorder and available to patrons at a distance. What she had considered to be daily nice-to-have pastries were now the focal point of her business “I wish I could say I had a whole curated idea opening the shop, but the truth is a lot of what I am doing is being done on the fly” Maizels says.

Harris Bakes, Photography by Ricky Freudenstein

Harris Bakes, Photography by Ricky Freudenstein

Five days a week, you can find Harris in the shop around 6 A.M. rolling out dough for the day’s baked goods. Everything is made fresh each morning and while Harris was faced with some challenges about the purpose of her shop, she knew from day one that everything she produced would be made with organic, high quality ingredients. “I didn't want to use anything that made you feel like crap after eating”.

While there are several facets of the business Harris did not know about until she began her operation (kitchen technicalities, waiting on nightly deliveries, running social media, etc) she runs her one woman show with grace and a community she can trust “ I knew how supportive the neighborhood is to local, small businesses”

Harris Bakes, Photography by Ricky Freudenstein

Harris Bakes, Photography by Ricky Freudenstein

Speaking of small local businesses, Harris calls out West Village restauranteurs Jody Williams and Rita Sodi as two of her greatest inspirations “I was lucky enough to spend an afternoon with them, not only are their restaurants incredible, but they’ve made me feel like everyone has a seat at the table”.

The store brings in a wide range of clientele - people of all ages, locals and visitors alike. “ The new customers who come in tell me I'm growing and the my regular customers tell me that they liked what they had”.

Harris Bakes, Photography by Ricky Freudenstein

Harris Bakes, Photography by Ricky Freudenstein

At the end of our conversation, a buzzer goes off and Harris takes out fresh dough for the busy holiday weekend ahead. 

The bakery owner has many ideas and long term goals. One being acquiring a larger space that can act as both a bakery and cafe but also can host after school programs for kids who have an interest in the kitchen “I’ve noticed there are certain extracurriculars available to kids and to certain groups of kids, and I haven’t seen a lot of after school programs for baking and that’s really important to me. The skills and lessons are endless” Harris says. While her croissants are flaky, Harris is not. She has achieved a lot in a short amount of time and is living proof that it is never too late to do what you love.

For more info go to Harris Bakes website.

ART SPRINGING UP IN VACANT STOREFRONTS

BY CYBELE POLICASTRO

Barbara Anderson outside The Lucille Lortel Theater/PHOTOGRAPHY BY ERICA FREUDENSTEIN

Barbara Anderson outside The Lucille Lortel Theater/PHOTOGRAPHY BY ERICA FREUDENSTEIN

WEST VILLAGE, NY —- Art on the Ave is a public art initiative featuring work by local artists in storefronts, both vacant and some occupied.

The second installment is “Awakenings” and will be on display in the West Village. The exhibition will kick off Live the Village which is a Greenwich Village Chamber of Commerce initiative with 2 other events planned—a reimagined Shop Bleecker, with events and promotions, and the Village Trip Festival, which will run from Sept. 18 to Oct. 2. GVCCC hopes the events will improve foot traffic and help business hard hit by the pandemic.

Art on the Ave was founded by a mother-daughter duo Barbara Anderson and Jackie Graham in the summer of 2020.  The first exhibition was centered on the Upper West Side. For the West Village installment, they are working with curators Susan Davis-Eley and Norma Kriger and all the money from the sale of the work goes to the artists.

The Lucille Lortel Theater located at 121 Christopher Street is one of the places art can be viewed, as well as a place to gain information about Art on the Ave.

BSB zoomed with Barbara to find out more.

LUCILLE LORTEL THEATER/PHOTOGRAPHY BY ERICA FREUDENSTEIN

LUCILLE LORTEL THEATER/PHOTOGRAPHY BY ERICA FREUDENSTEIN

This interview has been edited for brevity and for clarity.

How did you get the idea to do this project?

I guess the idea was born in Fernie, British Columbia. It's a small ski town up in the Rockies where my daughter Jackie lives. She's a teacher but she works at an art council and due to COVID, they closed down the gallery on a tiny little main street. They'd asked two of the vacant stores if they could put the art in there since the gallery was closed.

I saw it on Instagram, and I said, you know, I love that and you know, why couldn't we do that on Columbus Avenue? It seemed so simple then. And she was sweet. She said, you know what, mom? Yeah, that's a good idea. And so, I started doing a little research and I kept just plugging along and, and she was helping me. And we found some people who, you know, I think that inside they were laughing, but they were also being kind.

I think as a teacher, you're very used to solving problems or trying to figure out…I don't know, in my mind I was like seeing all this going on and I thought, you know what? That could be a solution. It could be something nice. And I just sort of something clicked in me for once. And I said, you know, what would I tell the kids? I would tell them, try it. What's the worst that can happen. We would get to one obstacle and someone would help us and point us in a different direction. And we would get to the next one. You know, people just help facilitated that. That's the nice story for me.

So how did you approach people? You live on the Upper West Side of New York?

I live on the upper West side and I haven't been here that long. We only moved to the city in the summer of 2019. I didn't know it that well, but I knew this neighborhood. I felt familiar with all the stores and I just saw one closing after the other and even the ones who weren't closed, they were struggling. I just kind of felt this idea, it could not only help the artists- to spotlight in particular underrepresented artists but also, I saw it as a way to kind of bring a little bit of life, energy and, and foot traffic to the area and that really actually happened.

PHOTO COURTESY OF ART ON THE AVE

PHOTO COURTESY OF ART ON THE AVE

I would sit somewhere and I would just watch people going up. And then, you know, another person would go up and they'd have a little conversation sometimes, or it would be a little cluster and they'd stop and you could see it with a family and they would have a chat and what people said actually was that they would walk by, and a piece would catch their eye. And then another time they would listen use the QR code and listen to the artists and it (the piece) started to feel like it belonged to them already, and that they weren't necessarily art buyers before. We ended up selling a lot of the art. 

What was the inspiration of about picking the Village as the next spot?

I have a colleague and she lives in the West Village and we would walk home sometimes from school. And there was one time we were in the throes of doing Columbus Avenue and I just walked down with her one day and I said, Hey, look at this and look at this.

And I think there must have been about 15 empty stores, at that point. And I said, wow, it'd be really nice to see some art in here instead of that paper, this, so that I kind of had the idea in the middle of doing Art on the Ave, even though I never actually thought we would do another one.

PHOTO COURTESY OF ART ON THE AVE

PHOTO COURTESY OF ART ON THE AVE

"Offerings & Red Corral" by Joseph Laurro, will be featured in Art on the Ave. (Courtesy Art on the Ave)

"Offerings & Red Corral" by Joseph Laurro, will be featured in Art on the Ave. (Courtesy Art on the Ave)

Did you do an open call to artists?

Jackie (Graham) puts out a call and then the curators spread the word. And Jackie was really very specific about trying to reach, west village artists actually.

Would you say you are bringing an art gallery to the streets? I

It is street level and it can speak to different audiences, you know? So, you could see kids just kind of stopping and being attracted by one piece or it was interesting to watch the different people that would stop. So, the whole kind of idea for the West Village one, was that it can just be about strolling or meandering or doing a little bit of everything and the art, becoming part of the fabric of the Village for a little while.

Art on the Ave “Awakenings” will be on display starting April 15 to July 8.

Find out more about Art On The Ave on their website.







 

Shop Bleecker the Month of November!

BY CYBELE POLICASTRO AND LIZ KEENAN

Bleecker Street, Photography by Erica Freudenstein

Bleecker Street, Photography by Erica Freudenstein

Shop Bleecker is back! The month-long shopping event is underway throughout November.

The event is organized by the Greenwich Village Chelsea Chamber of Commerce (GVCCC), and began as a way to bolster the area after a well-publicized vacancy epidemic affecting the area.

Forty-five businesses are participating in this year’s Shop Bleecker, providing deals and discounts. Customers can also enter a raffle for prizes.

Three years ago, Senator Brad Hoylman released his ‘Bleaker on Bleecker: A Snapshot of High-Rent Blight’ report and in the time since Bleecker has been rebounding however, like the rest of the world has been facing challenges during the Covid-19 pandemic.

Maria Diaz in front of Keentu on Bleecker Street -which carries a contemporary selection of jewelry, handbags, accessories, clothing and home decor made across Africa

Maria Diaz in front of Keentu on Bleecker Street -which carries a contemporary selection of jewelry, handbags, accessories, clothing and home decor made across Africa

I recently had the chance to zoom with Maria Diaz of the Chamber to chat about how it’s going.

Shop Bleecker is a month-long event – will there be a “Shop Bleecker” day this year?

MD: Yes, November 21st, we're gathering businesses to stay open from the hours of six to seven. And we'll be promoting that as an after-hours event. We're encouraging people to make appointments to shop throughout the entire month, but that will be extra time for some of those stores to be able to, to stay open for shoppers.

Are people shopping?
MD:  Yes, most stores are saying that people are shopping.

Australian luxury fashion brand The Daily Edit (TDE) specializes in monogrammable leather goods. Photography by Erica Freudenstein

Australian luxury fashion brand The Daily Edit (TDE) specializes in monogrammable leather goods. Photography by Erica Freudenstein

Marlene Hall at Diptyque on Bleecker Street, Photography by Erica Freudenstein

Marlene Hall at Diptyque on Bleecker Street, Photography by Erica Freudenstein

So how has COVID-19 impacted Shop Bleecker this year? Did you think it was going to be possible to do it this year?

MD: Yes. So, The Chamber had been evaluating all of our programming since all of our big programming involves like in-person visits. We want it to stay as safe as possible and to abide by guidelines.

We wanted to see what sort of health precautions the stores were going to put in themselves so that if we were to partner with them, that we knew that customers were going to stay safe. And it seems like everybody has taking those safety precautions and they're communicating that to all their customers.

So, we felt that as long as we relate back, people need to continue to stay safe and abide by all the regulations that are being encouraged, that we can move forward with it.

Maria Diaz in front of clothing store Intermix, Photography by Erica Freudenstein

Maria Diaz in front of clothing store Intermix, Photography by Erica Freudenstein

Tell me a little bit more about what made you select Bleecker street originally?

MD: We decided on Bleecker because it was definitely much more affected with the vacancies and we wanted to change the whole idea that Bleecker was bleak.

Over the years, we've continued to expand it. And that's why there's stores that are not on Bleecker that are participating. We have The Doughnut Project on Morton Street and hair salon, Vidov West on Charles Street.

There is also a new jewelry store at 92 Perry Street.

Kylie Tarin Nakao, Owner of Tarin Thomas, Photography by Erica Freudenstein

Kylie Tarin Nakao, Owner of Tarin Thomas, Photography by Erica Freudenstein

They're participating too. So, we're trying to always work with stores that are adjacent to Bleecker Street.  Eventually, if the project continues, we might consider changing the name so that it's more reflective of the West Village.

What does the (GVCCC), do in general?

MD: The Chamber of Commerce is a nonprofit organization and its mission is to help the businesses in our footprint. Our footprint is actually much bigger than our name suggests. We cover everything from Canal Street up to 34th Street. Over the past few years, we've been trying to create programming that is helpful for the businesses of the West Village and Chelsea creating programs like Shop Bleecker and the Chelsea Chew- a program we did for restaurants last year.

Maria DIaz on Bleecker Street, Photography by Erica Freudenstein

Maria DIaz on Bleecker Street, Photography by Erica Freudenstein

At the end of the day we want to see businesses survive and thrive providing networking and educational events.  This year, we put together a database of COVID-19 related resources, like financial resources, where people could apply to either get loans or grants.

We do a lot of networking for our businesses. If a business owner joins, they can get connected to other business owners that are in our roster instead of having to do like a cold call and having that commonality breaks the ice a little bit so that people can get to know each other.

7FAM clothing store on Bleecker, Photography by Erica Freudenstein

7FAM clothing store on Bleecker, Photography by Erica Freudenstein

So, our four tenets are to educate, to promote our neighborhoods, to provide networking and to provide advocacy. So that last piece basically means us talking to elected officials, getting information from our members to let people know that what the stories are behind our members. Letting them know if our members are getting affected negatively or positively by any policy.  We want our elected officials to know.

Billy Reid clothing store on Charles Street, Photography by Erica Freudenstein

Billy Reid clothing store on Charles Street, Photography by Erica Freudenstein

Would you say that Shop Bleecker has been helping the businesses on Bleecker?

MD: I'm going to say yes, because most of them continue to come back. That’s my indicator of it being successful if they continuously come back and want to be part of the program year after year.

I think that the loss of numbers and businesses (this year) isn't related to the program, I think it's related to COVID-19.

Do you think that once COVID-19 is under control, businesses will be able to prosper again?

IL BISONTI on Bleecker, Photography by Erica Freudenstein

IL BISONTI on Bleecker, Photography by Erica Freudenstein

MD: Yes. I think that the city is very resilient. I can't imagine New York City not being what New York City is. It’s the place that people come to realize their dreams.

I think that COVID-19 is going to make the businesses that are going to survive even stronger. And eventually we'll get to a point that we'll see more businesses coming back to the the city.


Shop Bleecker After Hours is this Saturday (November 21) from 6-7pm for more information go to the website and follow them on Instagram and Facebook.

Neighborhood Joints Talk Restaurant Life During a Pandemic

 BY BRIA SCHIRRIPA

Corner Bistro, Photography by Erica Freudenstein

Corner Bistro, Photography by Erica Freudenstein

These days in the West Village you’ll find closed off streets filled with elaborate seating areas.  Strings of lights and plant arrangements outline outdoor dining spots on normally busy but some closed off to traffic, city streets. 

Restaurants have come a long way since mid-March, when they were mandated to shorten their hours of operation.  Days later they’d be given orders to shut down for table service but they were not made to close completely.  This sudden change left business owners to have to shift to a takeout and delivery model only.

Bleecker Street Beat checked in with some of our neighborhood staples to find out about the challenges of running a New York City restaurant during a global pandemic and how the city’s dining spots may be transformed in the future.

Tavern On Jane, Photography by Erica Freudenstein

Tavern On Jane, Photography by Erica Freudenstein

Michael Stewart, owner of Tavern on Jane, is celebrating 25 years in business this fall. In all those years the only time he’s fully shut down operations was a brief period during Hurricane Sandy when the restaurant lost power for a week. “Once our 10 p.m. close time was changed to 8 p.m. I knew we had one option, to go full delivery only”. The cozy West Village establishment known best for its neighborly ambiance closed its doors and suddenly appeared on sites like DoorDash and Seamless

Tavern On Jane outdoor dining, courtesy Tavern On Jane

Tavern On Jane outdoor dining, courtesy Tavern On Jane

With Summer came permission to reopen, allowing restaurants to host customers for the first time in four months, leaving many who have never offered outdoor dining to figure out how to make this new model work.

Outdoor dining at Baker & Co., photography by Sera Franklin

Outdoor dining at Baker & Co., photography by Sera Franklin

Baker & Co., courtesy of Baker & Co.

Baker & Co., courtesy of Baker & Co.

 Markus Dorfmann, Managing Partner of Baker & Co, moved operations to their sister location, Barrio. Then in June Baker reopened with a reduced menu and to-go drinks.  Today, Baker and Co. provides patrons with sidewalk and garden dining options.

They attribute part of their current success to their supportive neighbors, a skincare shop and a shoe store, who have allowed them to use their sidewalk space as a dining area. “Their landlord gave us permission to expand in front of their storefronts, creating room for more tables and chairs, it was very nice”.

Outdoor dining at Dame, courtesy of Dame

Outdoor dining at Dame, courtesy of Dame

While restaurants have adapted quickly during this crisis the question now is how restaurants will continue to serve their customers as the weather turns cold.

At the end of summer, New York officials announced restaurants would be able to resume indoor dining at 25% capacity. Today many restaurants have embraced this change with care

“We are taking every precaution including social distancing of tables, masks, and temperature checks for customers who choose to sit indoors”, says Jacob Salas Manager and bartender of Corner Bistro. While the resumption of indoor dining is good news for business owners, they still face the challenge of varying comfort levels among patrons.

Jacob Salas at Corner Bistro, photography by Erica Freudenstein

Jacob Salas at Corner Bistro, photography by Erica Freudenstein

Restaurants are adamant that they cannot survive on 25% indoor capacity alone and in September Governor Andrew Cuomo announced permission to keep outdoor dining year-round. Now heater lamps, insulated tents and other elaborate structures are sidewalk staples.  Owners, managers, and staff members are embracing the ever-changing rules and regulations that have upended their day to day operations.

Tavern on Jane is now part of the online ordering world, uncharted territory for the restaurant inching towards its third decade. They’ve also increased their social media presence as a way to stay engaged with customers, connect with new clientele, and promote weekly specials (Wednesday meatloaf is a must).

Outdoor dining at Dame, courtesy of Dame

Outdoor dining at Dame, courtesy of Dame

Dame, a small English restaurant on MacDougal Street has segued into a fish and chips pop up - its menu, updated almost weekly, includes dishes inspired from around the globe and guest chefs every month.

Outdoor dining at Dame, courtesy Dame

Outdoor dining at Dame, courtesy Dame

It isn’t all challenging. Dorfmann says that spending more time outdoors has given him the opportunity to get to know fellow neighborhood restaurant owners. “Before it was just running across the street to borrow something, now it’s like we’re cheering each other on, we want one another to thrive in this new environment” he says of his Bleecker Street neighbors.

Tavern on Jane found ways to give back through a partnership with Frontline Foods - an organization dedicated to feeding workers and first responders on the frontlines of the pandemic. 

MIchael Stewart (courtesy of Tavern On Jane)

MIchael Stewart (courtesy of Tavern On Jane)

Corner Bistro once a rough around the edges bohemian hangout whose patrons consisted of out of work actors and writers eager for late night burgers and fries, now offers customers breakfast. “Everyone is being a bit gentler these days”. Salas says a salad on our menu is a bit unheard of but “we’re doing it”.

Corner Bistro, photography by Erica Freudenstein

Corner Bistro, photography by Erica Freudenstein

 

 

Bleecker Slowly Coming Back to Life

BY BRIA SCHIRRIPA

Dana Glaeser, the founder of Slightly Alabama, a men’s leather goods and clothing store, photographed for Bleecker Street Beat by Erica Freudenstein

Dana Glaeser, the founder of Slightly Alabama, a men’s leather goods and clothing store, photographed for Bleecker Street Beat by Erica Freudenstein

In mid-March all of the vibrant storefronts that make up Bleecker Street, closed their doors due to the COVID-19 outbreak. With Phase 1 & 2 rolled out and Phase 3 beginning July 6th, these West Village storefronts have begun to reopen, leaving business owners to consider the new normal and rethink the future of retail. 

BSB had the opportunity to chat with a couple of the community’s key players about their plans to get back to work.

We spoke to Jon Levy, Brand Director at Leap Inc., a startup retail platform for direct to consumer brands. They have a cluster of stores on Bleecker, from Naadam - best known for affordable cashmere to Goodlife known for its versatile, high quality fabrics.

Naadam clothing at Bleecker street store, courtesy of Leap Inc.

Naadam clothing at Bleecker street store, courtesy of Leap Inc.

Goodlife store exterior, courtesy of Leap Inc.

Goodlife store exterior, courtesy of Leap Inc.

While stores could not physically host customers, they found other ways to give back to the shopper. Leap brands Public Rec and Ledbury created a line of lightweight masks while Nadaam offered discounts on their popular matching sets, with the hope that customers would feel comfortable and cozy during months of work from home.

“We’ve been lucky to retain part of our team to work on key areas while doors are closed; so that when we reopen, the transition will be smoother” said Levy.

Our model is based off of small, intimate relationships with customers

Other Bleecker Street businesses, like Slightly Alabama, a fine leather goods store founded in 2013, have passed the time patiently waiting to reopen doors as its business model is tailored specifically to the in-store client.

“Our model is based off of small, intimate relationships with customers” says Dana Glaeser, Slightly Alabama’s founder and owner, who is almost always found in the store.

Slightly Alabama was originally brought to the West Village through the real estate company Brookfield’s Love Bleecker project. Two years later the store, which doubles as a workshop, remains on the corner of West 10th & Bleecker. “We’ve built great relationships with locals, most of our clientele consists of repeat customers” Glaeser says, adding that on a given night in non-pandemic times you might walk by to see the shop packed with guests for an event. He emphasizes that they are not just considered loyal customers, but friends.

Dana Glaser, Slightly Alabama store on Bleecker Street, photographed for Bleecker Street Beat by Erica Freudenstein

Dana Glaser, Slightly Alabama store on Bleecker Street, photographed for Bleecker Street Beat by Erica Freudenstein

While Leap brands and Slightly Alabama transformed themselves into e-commerce businesses overnight, it is clear that both Levy and Glaeser see high value to the in- person shopping experience. They believe their brands have the ability to provide a unique experience for customers noting that it’s been recognized, socially and culturally that consumers crave the in-store experience and Glaeser adds, “smaller brands are able to do it”.

Every shopper is going to look at this situation in their own way, with their own set of rules and standards
Goodlife, Bleecker Street Store Interior, courtesy of Leap Inc.

Goodlife, Bleecker Street Store Interior, courtesy of Leap Inc.

However, small business owners acknowledge that the future will look different. “Every shopper is going to look at this situation in their own way, with their own set of rules and standards. It’s important for us to be able to offer something for everyone” Jon says. 

Leap has plans to roll out an appointment-based shopping experience and a curbside pickup option come mid-July. Slightly Alabama, which reopened June 23rd, is following every guideline and exercising caution to ensure customers safety.

Dana Glaser with dog, Sheffield, photographed for Bleecker Street Beat by Erica Freudenstein

Dana Glaser with dog, Sheffield, photographed for Bleecker Street Beat by Erica Freudenstein

So, is there a silver lining? This unprecedented situation has taught business owners to think more broadly and to use their platforms, not just to push product but rather to become more personal, reflective and display humanity; “it will be a lesson learned well beyond this time” according to Glaeser.

With the city beginning to come back to life, shop owners are eager to resume business. When asked about what they look forward to most about getting back to the West Village, they paint a hopeful picture - tree lined streets, high energy and familiar faces - they can’t wait to get back to Bleecker.

What's Open for Delivery in GREENWICH VILLAGE ... Updating

Starting this list as of 12 noon on April 1. Find a list of Greenwich Village businesses open— many with contact-free options. This is a rolling list. Incomplete. We will add as we confirm more places. If you have something to add, email us or add to comments section below.

This is a developing situation and subject to change. Always call ahead and also check the website or social media for updates.

Restaurants/Cafes

Baker & Co. (259 Bleecker) Delivery available through Cavier or Grubhub Link to Website

Bar Pitti (268 6th Avenue) Take Out starting on 4/8 Call Ahead 212-982-3300 Website

Black Stone Coffee Roasters (502 Hudson) Open. Call 212-989-6131

Bleecker Street Pizza (69 7th Ave South) Open for delivery via Cavier Website

Bluestone Lane (55 Greenwich Avenue) is open for order ahead pickup Click for link…

Brunetti Pizza (629 Hudson Street) Open no contact delivery or pickup. Wine specials, craft beer, and pizza 5p-9p Wed-Sun Website

Bus Stop Cafe Diner (597 Hudson Street) Open for Delivery & Pick Up via Delivery.com. Seamless, Grub Hub and Ubereats Website

The Doughnut Project (10 Morton Street) is open for pickup and delivery via Postmates Click for link

Extra Virgin (259 west 4th) Delivery or Take Out Mon-Thurs: 4p-10p, Fri-Sun: 12p-10p also via Grubhub, Seamless, Postmates, Delivery.com, Eat 24 Website

Faicco’s Italian Market (260 Bleecker) Currently open, and only letting a few people in the store at once. Delivery available through Uber Eats, Cavier, and Mercato Link to Website

Flip Sigi (525 Hudson) Curbside contactless pickup Link to Website

Il Mattone Pizza and Pasta (450 Hudson) Delivery via Grub Hub and Uber Eats or contact at 646-370-6875 Link

Joe’s Pizza (7 Carmine Street) Takeout or delivery. Website.

LelaBar (422 Hudson Street) Currently open from 12p-8p everyday for curbside pick up. They are serving to go happy hour kits along with wine by the glass or bottle Link to Website

Magnolia Bakery (401 Bleecker Street) Local pickup and delivery on Grubhub Link

Molé Mexican Restaurant (57 Jane Street) Open for delivery or pick-up 7 days a week between noon and 9p. You can also call in your orders (212) 206-7559 Link to Website

Oslo Coffee Roasters (236 West 10th Street) is open for order ahead pickup… Click for link

Piccolo Angolo (621 Hudson) is open for take out and local delivery, as well as on Grubhub, Postmates, Cavier, Seamless and Uber Eats Link to Website

Red Farm (All Locations) Open for delibery via Postmates, Cavier, and Uber Eats Website

Sant Ambroeus (Soho, West Village) Delivery and pick-up available and via Cavier and Postmates. Link

Taim (all locations) Open for contactless delivery, pickup and curbside pickup) Link to Website

Tavern on Jane (31 8th Avenue) open for take out Link to Website

The Butcher’s Daughter Plant Based Restaurant (all locations) Curbside pickup and Delivery via Postmates, GrubHub, DoorDash or Cavier. Link to Website.

Trattoria Pesce Pasta Italian restaurant (262 Bleecker) Open for free delivery and take-out Mon-Sun 12p-11p Link to Website

Uncle Chop Chop Southeast Asian (7 Cornelia Street) Call for takeout or order on Cavier or Seamless. Website

Westville (all locations) Take Out and No contact delivery. Delivering alcohol - wine, beer and cocktails as well as menu. Website.

Wolfnights the gourmet wrap (235 Bleecker) is open for pickup & free delivery, $10.00 off first delivery order. Also can order on Grubhub, Doordash and starting next week on Uber Eats. Click for link


Liquor/Wine Stores

Le Du’s Wines (600 Washington Street) Pick up and Delivery only. Call 212-924-6999 or email leduwines@leduwines.com Website

Sea Grape Wine Shop (512 Hudson Street) Call for local delivery. (212) 463-7688 Website

We Met Up with Whalebone on Bleecker, and then Coronavirus hit the city

BY BRIA SCHIRRIPA

Detail, Whalebone Interior Store, Photography by Avery Schuyler Nunn

Detail, Whalebone Interior Store, Photography by Avery Schuyler Nunn

In late January, Whalebone Magazine, a Montauk-born publication set up shop on the coveted corner of Bleecker and Christopher Streets in the heart of the West Village.

I had the pleasure of kicking back with Whalebone’s co-founder and self-described janitor, Eddie Berrang, at the magazine’s new Library On Bleecker.

Whalebone’s journey dates back about a decade, when founder Jesse Joeckel began making t-shirts and printing them out of an old ice house out East. Shortly thereafter Berrang and Joeckel ventured out to create what was to be a “simple, summertime print magazine”, they would call it Whalebone after Jesse’s grandfather’s dog. 

The publication, initially intended for Montauk locals, went to print and the demand went beyond state lines and exceeded expectations. “We were starting to get e-mails and phone calls saying ‘Hey, I picked up your magazine in Montauk, where can I get a copy in the city?’”and ‘Where can I get a copy in Austin or Nashville or Chicago?’ at the end of that summer, we had a really bad idea and said let’s keep doing print magazines.”

there’s not a lot to it besides romance, in terms of business model

Berrang describes print as being an antiquated idea, particularly in the age of technology, “there’s not a lot to it besides romance, in terms of business model.”

Whalebone store, Photography by Avery Schuyler Nunn

Whalebone store, Photography by Avery Schuyler Nunn

Their first issue, centered around New York City, was a success. The positive response from readers and partners gave Berrang and Joeckel the confidence to push out more issues. “We said ‘okay, you know what?’ we’re going to publish a print issue all about New York City, who knows? Let’s see how it goes. A couple of people liked it, enough people to give us the drive to churn out more issues and we got the sense that we could do this a little bit more. From there, we started to get picked up with some some other partners which led us here.”

In an era when the world has gone digital, Eddie attributes Whalebone’s success to those who have an appreciation for process. “Just creating a magazine in the format that traditional print media was made you might as well throw your money out the window. The big differentiator is how the print was done”. Each issue is thematic, both in style and approach. “We have to communicate in a visually compelling way. Communication technology has changed how we consume media. So you have to make a publication that is up with how people are engaging with it [media]. The need comes from the fact that we spend a lot of time on our phones."

Aside from its print publication, weekly newsletter, and apparel, Whalebone’s latest endeavor is a bit different. The Library On Bleecker, a pop-up shop that opened earlier this year, is the first of its kind. The space, built upon a “what can we do for you” mantra, offers its visitors books from an independent store shipped in from Sag Harbor, drinks, a fireplace, old school movies — on this particular morning, talks of loading up the Karate Kid were buzzing — a pool table, and much more.

The Library is designed to be transformative, a reflection of the print issue’s ever changing theme.
Photography by Avery Schuyler Nunn

Photography by Avery Schuyler Nunn

Caddis, a modern eyewear company, is Whalebone’s most recent partner to set up shop in the Library. Berrang emphasizes that the vitality of the space is not dependent upon Whalebone alone, but rather upon the concept of community. With partners like Yeti, Allbirds, Montauk Brewing Company, and Shinola — each of which recognizes the “all ships rise with the rising tide”, mentality — Whalebone is confident that they’ve got the right companies beside them. 

The Library is designed to be transformative, a reflection of the print issue’s ever changing theme. Where a pool table sits today, will be a small stage to host comedians for Whalebone's upcoming comedy issue.

Photography by Avery Schuyler Nunn

Photography by Avery Schuyler Nunn

DSC_0092.jpg

Though West Village locals (a friendly neighbor delivers batches of homemade cookies to the Library every Saturday morning, an older couple comes in to shoot pool together) and tourists are responding well to the space, every so often a visitor comes in, unable to wrap their head around the concept, or is “delightfully disoriented” upon entering, in the words of Berrang. The space is one of a kind, so much that it’s caught the eye of an international audience, most of whom have found their way to the Library through Instagram. Just the week before our conversation, Whalebone did a collaboration with @AccidentallyWesAnderson — an Instagram account dedicated to featuring design and architecture that could easily fit into the background of a Wes Anderson film — that took over the Library for four days and as a result brought several thousand people through the doors.

Despite being headquartered in Tribeca, landing on the corner of Bleecker and Christopher was a happy accident and fortunately for the West Village, the Library has big plans and will be open until the end of 2020.

As the interview is winding down, a passerby knocks on the door asking if this was the same Whalebone out in Montauk, he had helped package their t-shirts many years ago. When BSB asks Berrang if this is an isolated occurrence, he quickly responds “no, it happens all the time”.

In the weeks that following our chat with Eddie, the world has become more chaotic...

In the weeks following our chat with Eddie, the world has become more chaotic as the COVID-19 outbreak spreads through New York. It’s no surprise that Whalebone has quickly come up with a way to do some good during this time of uncertainty. “There’s so many people helping and doing creative things to lift the spirits of the world”, says Berrang.  Whalebone has begun distributing a daily, pop-up newsletter, “Afternoon Delight” (sign up here) with the purpose of keeping readers connected and smiling during this time of social distancing. “We feel honored that on a daily basis we’re able to help aggregate and share some of our own initiatives along with those of others through our newsletter that goes out each afternoon. We’re super fortunate to be able to partner with amazing brands like Montauk Brewing Co., HillCity, Shinola, Ansea, OTIS Eyewear, JUST Water, and Sir Kensington who all believe that supporting through positivity and adding delight into the world are making a difference. These brands simply ‘get it’ and for that we’re beyond thankful.”

Record Stores and Cute Shops: West Village in the 1980s

BY CYBELE POLICASTRO

Ron Giacone has been taking photos off and on since the 1970s. In the early 1980s while spending time at his then girlfriend (future wife) Joanne’s apartment on Barrow Street he documented many of the storefronts and street scenes. Ron says, ”… on Sunday mornings, she’d put a pot of coffee on while I went to buy, the ‘Times’, at ‘Sheridan Square News Stand’ and pastry at ‘Lafayette’.”

Sheridan Square News Stand, Seventh Avenue

Sheridan Square News Stand, Seventh Avenue

Topeo Collectible Store, Christopher Street

Topeo Collectible Store, Christopher Street

The Front Porch, Corner of West 11th Street & West 4th (Now Tartine)

The Front Porch, Corner of West 11th Street & West 4th (Now Tartine)

Rebel Rebel Record Store, Bleecker Street

Rebel Rebel Record Store, Bleecker Street

7th Avenue & West 10th Street

7th Avenue & West 10th Street

Christopher Street, Above the shops, just off Bleecker Street

Christopher Street, Above the shops, just off Bleecker Street

To see more of Ron’s work, check out his Instagram gallery: @nycdigital

Bleecker Street is Alive and Kicking

BY CYBELE POLICASTRO

It has been awhile since my last post, and quite a few stores have opened on the west side of Bleecker Street. Naadam (392 Bleecker) sells responsibly sourced Mongolian cashmere, Buck Mason (300 Bleecker) is an American men’s clothing brand with a loyal following, Slightly Alabama (350 Bleecker) makes leather accessories, Lingua Franca (382 Bleecker) sells hand-stitched cashmere sweaters emblazoned with statements like, “I Miss Barack” and “Give A Damn”, and Prabal Gurung (367 Bleecker) is a Nepalese-American fashion label. Also in the mix is bedding and bath brand Hill House Home (395 Bleecker) and luxe home decor company, St Frank (373 Bleecker). Another, home decor brand, The Citizenry (379 Bleecker) has a pop-up (Open until December 22). And finally, bodega and florist, Fleurotica + Bonberi (384 Bleecker).

Some other highlights…

Jay Kos + Heirloom (400 Bleecker)

A collaboration between Jay Kos, who started out 25 years ago on the Upper East Side, and Heirloom sneakers.  All the clothing is designed by Jay Kos and hand made in Italy and France and serving clients that range from CEO’s to the biggest hip hop and music moguls and entertainers as well as the aspirational shopper.

Jay Kos/Photo by Michael Pushkarskiy

Jay Kos/Photo by Michael Pushkarskiy

Heirloom sneakers all are designed by Scott Burr of the highest quality Italian leather. Jay says they chose Bleecker because “ …it has a strong sense of community, a lot of the shopping areas in NYC have turned into suburban malls . We look for areas that are rich in culture and individuality.”

Heirloom/Photo by Jason Leiva

Heirloom/Photo by Jason Leiva

Huckberry (382 Bleecker)

Huckberry, the online men's lifestyle and outdoor retailer, opened in November. The pop-up features many events and self-guided “NYC adventure itineraries” such as ‘West Village Drinking Tour with Jack Kerouac’ that starts just outside the store’s door (open until January 31).

Huckberry

Huckberry

Kilona Shop (378 Bleecker)

Kilona Shop features Indian hand craftsmanship with the intention to create conscious living products following the Vedic Texts and Ayurveda. The store features Ayurvedic Apparel dyed with turmeric, ginger and other medicinal herbs, pure copperware, pure silver and Rudraksha Mala Bead Jewelry amongst many things.

Kilona Shop

Kilona Shop

Sophia Helena, Kilona Retail Manager says, “Our favorite thing about Bleecker is our neighbors who have been so incredibly supportive and shown us a tremendous amount of love. … neighbors come into the store all the time telling us how happy they are to see our boutique open as it is the breath of fresh air”.

Quaker Marine Supply Co. + Tombolo (359 Bleecker)

Quaker Marine Supply Co. is a heritage nautical brand started in 1949 recently brought back to life. Icon Ernest Hemmingway was known to don one of their ‘Oysterman’ hats.

Ernest Hemmingway in ‘Oysterman’ hat

Ernest Hemmingway in ‘Oysterman’ hat

Tombolo is a unisex Hawaiian shirt brand with original artwork. Think a hipster version of Tommy Bahama! Chris Galasso, the general manager, says what made them select Bleecker was …”the charm, the sense of community, and the holiday shoppers!” (month of December)

Tombolo, LLC

Tombolo, LLC

goldno. 8 + Thursdays (332 Bleecker)

gold no. 8 sells handbags designed and made in the USA. Every style is customizable and empowers women to create bags that unique to their personal style. Thursdays, a family run independent retail business, is providing the cashmere.

goldeno.8

goldeno.8

Ariane Gold, the founder of the handbag company and a former designer for Ralph Lauren, told BSB… “I am thrilled to have our first brick and mortar store on Bleecker Street.  The West Village is my favorite neighborhood in NYC, and Bleecker Street has always held a special place in my heart.  Nothing makes me happier than seeing the revitalization that is taking place right now on Bleecker Street.”  (open until January 31st).

What kind of retail would you like to see on Bleecker Street?

Erica Freudenstein Photography

Erica Freudenstein Photography

BY CYBELE POLICASTRO

This week Bleecker Street Beat spends some time with Irem Cansu Yildiz, Architect and MA Candidate in Design Studies at Parsons.  Irem is working on her thesis, The Vacant Store Initiative.  First check out this video we did which will show Irem out in the field, followed by an interview.

Where are you from originally and what brought you to New York?

I am from Istanbul, Turkey. I moved to New York in August 2016 to pursue my master’s in Parsons the New School for Design.

 Can you tell me a little bit about your background and what led you to do this project?

I have experiences in various lands of design – architecture, hospitality design, event design and management, design research and strategy, and retail design. I am very intrigued by exploring the alternative ways of practicing our everyday life through rethinking conventional means of spaces, systems, and services. The roots of my thesis go back to the work that I was doing with a young urban culture brand, NOW. With the purpose of contributing to the urban culture, NOW. designs event series in different urban settings by tweaking the usual programs of those spaces such as brunch parties in a different coffee shop every Sunday or warm up to the night at a different local liquor store every Friday. So, I've been practicing how to apply different tactics that tackle the relationship dynamics of culture and program through spaces to create better experiences – for a while now.

 Can you describe what your Vacancy Initiative is about?

 The Vacant Store Initiative is a program proposal that is a part of my thesis work. The Initiative mainly activates vacant retail stores by creating hybrid uses in one space through matching up different businesses. It focuses on the stretch of Bank and Carmine Streets on Bleecker. The purposes are vitalizing street life, supporting current businesses and encouraging new small businesses. One of the main responsibilities of the Initiative is to understand and analyze the needs of the neighborhood. To make it happen, the Initiative facilitates the conversation between stakeholders. It builds up a ratio that assures the needs of the neighborhood and then creates room for ancillary uses. Besides the proposal of the Initiative, my thesis suggests some policy changes. By quoting from my thesis, “I see the Vacant Store Initiative as not an end product, but a generative process that constantly seeks a balance between theory and practice, consumption and production, local and global, yesterday and tomorrow – and urban and village, by constructing a solid approach on how to apply tactics and strategies to reframe and transform everyday life practices and experiences through space.”

 How did you get started on this project?

Right after the initial research on vacancy problem in NYC, I decided that it was a great case study for me to explore what I’ve been interested in. I can say that it was a long process until I “ended up” – as my thesis work, with the proposal of the Vacant Store Initiative. Along the process, I did a lot of research including historical readings, stakeholder mapping and analysis, many interviews, theoretical analysis, market research, street interviews, etc,..

Who are the main stakeholders on Bleecker Street (who will determine what happens there?)

Landlords, businesses, and residents are the most salient ones. But - the power of real estate and retail industries cannot deniable. The life of the street is highly affected by the fluctuations and trends specifically in those industries. The city government is one of the stakeholders with the power of creating and applying policies. Community organizations with their power of bringing the community together and bringing attention to specific subject matters. Also, I think it is important to point out the fact that even though it seems like a local project, it is a part of a bigger picture. The needs and habits of people are changing because of the way that technology's a growing part in our lives. The change is inevitable as it is drastically fast - and Bleecker Street is a great case study to see the complexity of the issue.

 Once you collect your data, what’s the next step?

I will share the project with different stakeholders who contributed to the process.  I would love to continue working on it to not only to make it real but also to trigger an exciting conversation!

 When will we be able to see the results of your study?

The project will be exhibited at Parsons the New School for Design between May 7th and 17th on 66 Fifth Avenue. To look at the details of the project and follow the process, you should check my website! And please don’t hesitate to contact!

 

It's Still Sunni On Bleecker

Erica Freudenstein Photography

Erica Freudenstein Photography

This week Bleecker Street Beat meets up with Sunni Spencer.  Her “Après Sea store (371 Bleecker) is for people who want to live the beach lifestyle every day. Sunni just celebrated her first year on Bleecker Street.  The transcript has been edited for brevity and clarity. 

BY CYBELE POLICASTRO

Where are you from and what brought you to New York?

I am from Tampa, Florida. I moved here in 1997 because I wanted to pursue my dreams. I wanted to be one of three things, an actress, a singer or in the fashion industry.

So how did you find the space on Bleecker Street?

Well, it's actually a really cool story because I had a dream where I saw Intermix; I saw another brand and then an empty space. And I was like, what the heck does that mean.  My husband, Andrew and I had been all over the city looking for pop-up spaces. I was looking at Meatpacking, I was looking Upper East Side and just everything was blocked.

And so we get invited to an event in the West Village and we're in a cab and Andrew's like, let's get out. There are all these empty spaces on Bleecker Street, so we get out of the cab and it was Intermix, Burberry and a blank space. And I was like, this is the dream. It's like I'm supposed to be here. And I basically borrowed money from my 401k to make it happen.  I thought it was just going to be a month.

Erica Freudenstein Photography

Erica Freudenstein Photography

 

What was the evolution of Sunni Spencer?

I started working at Bergdorf Goodman.  I was supposed to be a specialist for a brand and the day I started they told me that fell through but we're going to have you be a floating salesperson on the couture floor for fourteen dollars an hour!

I moved here thinking I had this high-roller job and I was kind of flipping out but I started selling and a few months later I went to the store manager and was like can you give me an opportunity in management? And she created an assistant manager position for me.  I think I got four promotions.  I was running the couture floor by the time I was 25.  I got to meet some of the most fabulous people in the world.  It was really interesting.  

So I learned to navigate, like was a good manager, was I a good salesperson? When I saw gaps in the merchandise,  it would be painful for me to see.  And so I went to my boss who was the general manager of the store and I was like, I want to be a buyer. They created a unique role for me. I taught myself, through the resources around me how to be a buyer.

And then eventually a fashion trade show company scooped me up. I did that for five years and got to travel to Paris, Berlin, Milan, and I had to search for these cool brands to sell to the shows. And so I got to see a lot of product.

I grew their business a lot and I thought outside of the box and created a special show within a show.  I had this vision for every season it would change to be a different destination. So the first destination was vintage Hawaii.

So I curated these lounges and hired my friend who has a floral design and event company in LA and they brought in these huge 10 foot Areca palms and white curtains, beautiful Hawaiian décor and I curated like the top 25 brands that I could find to make it interesting for retailers. And, people loved it.

My inspiration was the Viceroy and Anguilla because I love Kelly Wearstler and her design aesthetic, so we use that as inspiration to create the look and feel of the show and that is where I got the real inspiration to open a store that had the combination of home accessories and ready to wear all in one place.  The beach lifestyle vibe was kind of born that way.

So where was your first store?

I knew I needed to be in a beach destination. So I opened up the Hamptons in June 2016.  It was going to be a three-month pop up. Everyone asked me to stay.  I had no store permanent store until Bleecker Street. 

There have been a lot of store closings, not just on Bleecker Street, where did you get the gumption to take a risk and open a store?

Well, I actually heard from God to do it. Everyone told me not to open the store. They're like; you're going to open a store, why would you do that? And I'll tell you why I did it - I see the gaps, I see the lack of interesting stores, all the stores that I went into when I was traveling for my career all had the same brands and the little guys don't have a chance.  I really don't carry big box brands for the most part because I want people to discover something new.

I love the beach. I love the sunshine and it's a real pain that we have to suffer through at least six months of horrible weather. So I wanted to create this oasis in the middle of a dark, cold city and to create a space for people to come and feel like they're on a staycation.

Erica Freudenstein Photography

Erica Freudenstein Photography

Do you produce your own products?

The only thing that I have that's my label is kaftans and I just started the design process to come out with my own line. So work in progress. The goal is to have Sunni Spencer products across all categories. I've been working on developing a candle.

What is the most rewarding aspect of running your business?

Freedom.  I was in corporate for 18 years and it was just the political drama that I had to go through to be in a leadership position.  This whole Time's Up is a real thing. The thing is freedom doesn't mean working less. I actually work a lot more from a time standpoint, but it doesn't feel like work. I always wanted to be able to say thank God it's Monday.

Sunni Spencer seems to be part of a wave on non-corporate stores that seem to be opening up on Bleecker Street

I think that's going to be the next trend.  The mom and pop shop model, Marc Jacobs drove out all those people. I have a book full of quotes from people who come into my store; they don't want to shop at Kate Spade. So there's a reason why that didn't last.

So speaking more about Bleecker Street, what would you like to see open around you to make it feel more vibrant or more like the kind of place that you'd like to see?

Restaurants. More restaurants, but also cool stores like Saturdays,  that have a cult following. We need  stores that have a really good social media presence because that is what's going to drive the traffic to the street. The type of clientele that comes to my store, they are looking for something unique and different.  We don't need copycats. We need people that came up with something,  that are really different.

I feel that there is major potential for Bleecker Street.   I decided to stay on Bleecker because I believe in the street. I believe in the response that I was getting.  So I really believe that it will bounce back.